... Deren within the history of dancefilm and point to the continuing relevance of her aesthetics and practices , which assist in mapping the broad field of dance screen . The question of the influence of dance on Deren's radical film ...
... Deren , " From the Notebook of 1947 , " October 14 ( fall 1980 ) : 29-30 . 31 Maya Deren , " Religious Possession in Dancing , " originally published in 1942 in Educa- tional Dance , reprinted in The Legend of Maya Deren vol . 1 , pt ...
... deren Vermiethung II , 592 f . Marktverkehr , freier II , 591 . Maskeraden , f . Verkleidungen . Materialhandlungen , Visitation ders selben 1 , 367 . Materialisten , deren Handel mit Arzs neimitteln I , 347.360.363 . Materialwaaren , deren ...
... Deren , in Surrealism and Films after 1945 : Absolutely Modern Mysteries , ed . Kristoffer Noheden and Abigail Susik ( Manchester : Manchester University Press , 2021 ) , pp . 21–42 . 10 Deren , Maya , ' Cinematography : The Creative ...
... Deren's work with that of Black and Caribbean artists and intellectuals would be to propagate the kind of essentialism Gilroy argues against in The Black Atlantic. Deren's relationship to both whiteness and American identity was itself ...
... Deren : Theme and Variation . " Ph.D. dissertation , New York University , 1998 . Kelman , Ken . " Widow into Bride . " Filmwise , no . 2 ( 1962 ) : 20–23 . Krevitsky , Nik . “ Maya Deren and Dance in the Filmic Medium . " Impulse : The ...
... Deren historiography . When attention is directed away from Deren's film texts and toward her activities in transforming film cul- ture , they appear as self - evident and transparent , stated as simple historical fact : " Since the war ...
... Deren, Alexander Hammid. Credits: Directed by Maya Deren, Alexander Hammid. Cinematography by Alexander Hammid. Edited by Maya Deren. Additional Credits: Original music by Teiji Ito, added by Deren in 1959. Available: Mystic Fire DVD ...
... Deren herself was more interested in a meeting between melodrama and Vorticism (or Imagism) than psychoanalysis. Holl also points to Deren's preference for perceptual and visceral effect rather than psychoanalytic symptom (Holl 2001 ...
... Deren which appeared in Glamour in 1946. Here Deren does adopt a pose : hair swept back , arms behind her , smiling winsomely as she gazes off to her right , she assumes the posture of a glamour girl , even as the curves of her back and ...